In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate, Keep the Lights On chronicles an emotionally and sexually charged journey of two men in New York City through love, friendship, and addiction. Individually and together, they are risk takers—compulsive, and fueled by drugs and sex. "Keep the Lights On" is the sort of semi-autobiographical movie that just goes to show that one's real-life drama, even if translated to the screen without a hitch, is not necessarily compelling for others. It also signals the birth of … Keep the Lights On stands as a heart-wrenching arch, oozing with amiable authenticity in slices of life too often shied away from on screen. Keep the lights on With shows on hold and cash flow down 90%, Proctors has had to get creative. This gay domestic drama is a fascinating turn for Sachs. Starting in 1998, Erik (Thure Lindhardt) is first seen talking on the phone looking for men to have sex with (think of it … © 2021 METACRITIC, A RED VENTURES COMPANY. Director Ira Sachs goes for honesty here, and does well by it, but perhaps could have added something else to … Keep The Lights On Keep The Lights On Review Movies: Keep The Lights On Manhattan filmmaker Erik (Thure Lindhardt) and city lawyer Paul (Zachary … Get the freshest reviews, news, and more delivered right to your inbox! Are you sure you want to leave and cancel your review? Director Ira Sachs’s fearlessly personal screenplay is anchored by Lindhardt, who embodies Erik’s isolation and vulnerability with a gentle presence. In Keep the Lights On, a spare domestic drama about addiction, filmmaker Ira Sachs makes regular use of a 1986 Arthur Russell song, “Soon-To-Be Innoce Keep the Lights On … Keep the Lights On reviewed by The 'Oyds Boyd and Floyd review Keep the Lights On, a drama set in 1997 New York. And then suddenly, "shazam!" It feels as if we're being given glimpses into real lives unfolding. It is electric. Sachs captures Erik's yearning for Paul and Paul's addiction-induced indifference with equal force. Details: Keep the Lights On chronicles an emotionally and sexually charged journey of two men in New York City through love, friendship, and addiction. KEEP THE LIGHTS ON is a sultry relationship conundrum exhausts one's vigor even dignity to sustain the suffocating love; while WEEKEND concentrates on the bad-timing symptom after a casual sex date which one must cut off his feeling and affection. A film-maker and lawyer start a relationship after a chance encounter. The nuances of their relationship are clearly coming from an artist that understands his … Keep the Lights On – review 4 / 5 stars 4 out of 5 stars. Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but soon find a deeper connection and become a couple. 3 Reviews, An often painful and brutally honest look at love and romance. They're not well suited to each other, and although their sex life is successful in the physical sense, it begins to stray in emotional meaning. If someone has never had experience with addiction, this film might do something. From a $1,000 contributor to our fall fundraising drive today: Doing our bit to keep the lights on at NRO! In New York City in 1997, documentary filmmaker Erik (Thure Lindhardt) and closeted lawyer Paul (Zachary Booth) meet Multifaceted director Ira Sachs returns with Keep the Lights On, his first feature since 2007, and is arguably his most poignant and strongest work yet. Copyright © Fandango. ALL RIGHTS RESERVED. 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